Lisa Ling on why Asian food in Los Angeles matters.
A black cod goes from the Pacific to Shibumi.
Keeping cool when the kitchen gets hot.
One restaurant’s many pandemic pivots.
Two different takes on Indian food.
Every day’s a hustle at Woon.
From Asian farms to Los Angeles restaurants.
Why in L.A. they’re not boring.
Three restaurants breaking boundaries.
Mastering values at Yang’s Kitchen.
Two chefs go behind the blade.
Omakase and ramen join the neighborhood.
The coronation of soju and makgeolli.
Three women open the bar they want to walk into.
Indonesian community through cuisine.
On working with Mom and Dad at Anajak Thai.
Los Angeles before sushi.
Inside the staff ritual of eating together.
Three Vietnamese restaurants expand the city’s palate.
One chef has some thoughts.
Waking up Los Angeles to Burmese cuisine.
The couple behind Shiku goes with the flow.
An ode to those who keep them going.
Michelle Bernstein embraces the competition.
One restaurant’s epic journey from debt to success.
The couple behind Boia De and Walrus Rodeo play by their own rules.
Vermouth gets a bar of its own.
On the business of BBQ in Miami.
Recipes for navigating an uncertain economy.
The secret to never getting old in a town obsessed with what’s new.
How two pioneers of omakase introduced Miami to a new way of dining out.
Chasing a childhood memory one arepa at a time.
Why Miami’s mainstays of Middle Eastern food aren’t phased by the influx of glossy newcomers.
David Foulquier on his shapeshifting ambitions.
The Black chefs behind a vegan movement in Miami.
Two Cuban sandwich masters talk shop.
A new generation’s take on the classic Jewish deli.
Miami’s mavericks of sustainable growing and dining.
An intimate glimpse inside restaurants after the last customer leaves.
Creating a culture where employees stick around.
A new kind of bottle service takes root in Miami.
The art of staying put in a changing city.
The city’s ventanitas created a culture all their own.
Philadelphia Magazine’s food critic on the irrepressible attitude that is the key ingredient of the city’s restaurants.
How one restaurant gave birth to many.
The cheesesteak may be the global mascot of Philly. But a contingent of pioneering chefs and restaurateurs have made the city a hub of vegetarian innovation.
The city’s Eritrean-Ethiopian restaurants serve up more—way more—than delicious food.
How Juan Carlos Aparicio baked his way to running a restaurant (that isn’t a bakery).
How Alex Tewfik went from being a food editor in Philly to owning one of the best restaurants in town.
Two restaurants that share a belief in how cooking can be force for change.
How Chutatip Suntaranon channeled her upbringing in Thailand—and life spent flying around the world—into one of Philly’s most singular restaurants.
Stopping by the warehouses in Kensington where artisan upstarts are breathing new life into the city’s food scene.
The Ongoing Evolution of Philly’s Classic Sandwiches.
Chloé Grigri, Amanda Shulman, and Ellen Yin on upending the rules of the game.
Mike Solomonov takes stock of his journey.
When a customer becomes a friend.
Ange Branca was forced to close her beloved restaurant in 2020. That was just the beginning.
How do you build a restaurant in a space that was never meant for a restaurant? In Philly, a city of Revolutionary Warera buildings and colonial row houses and ancient warehouses, it can be a bit like playing Tetris with Benjamin Franklin.
Three Philly couples get frank and intimate in sharing their recipes for romance.
Inside the world of homespun pop-ups and unexpected collaborations that have made Philly’s dining scene like nowhere else.
The classics are easy enough to master by anyone with fine liquor and a recipe.
The city has long been a vibrant hub of Vietnamese food. Today, a new generation is striking a balance all their own—between creativity and tradition, innovation and memory.
An ode to the unsung heroes of restaurant kitchens from a comedy writer who couldn’t take the heat.
A cell phone has been invented that allows you to send one text message to your younger self. What do you write?
An ode to the unsung heroes of restaurant kitchens from a comedy writer who couldn’t take the heat.
The line cook. Perhaps the most crucial cog of any successful restaurant, yet the most overlooked. To that, I say: Enough is enough. If there is one thing I gleaned from my stint as a failed line cook—I survived a mere three shifts at Pizzeria Beddia in Fishtown—it’s that it’s time we recognize the immense value of line cooks everywhere, and not just for their hard work, but for their wisdom, too.
Pizzeria Beddia is my favorite restaurant and had been long before my brief and spectacularly unsuccessful time working there as a line cook. I ate at Beddia two to three times a week. I’d devour entire pizzas. I developed a fun, borderline-friend-ish rapport with the waiters. We’d talk about non-food-related things, like how sneaky difficult bowling is. I was a regular, and as I spent more and more time in one of America’s great pizzerias, my interest in pizza itself steadily grew. This fascination came to a head when I read Joe Beddia’s excellent cookbook, Pizza Camp. In the intro, Joe explains that he didn’t have a clear-cut career until age 28, when he decided to fully commit as a pizza chef. I read that and thought, “I’m 28. Maybe I, too, could be a Pizza Chef Guy.” Why not? Chefs seemed cool. Tattoos. Bright orange beanies. Warby Parker glasses. I could see it. A whole new life… So I Googled “Beddia pizzeria jobs,” and saw they were looking for line cooks. “This is it,” I thought. “This is the first step of the rest of my life.” Of course, through a series of embarrassments, I discovered it was not. Joe Beddia made the pizza route work. The rest of the cooks I worked with were doing great, too. For me, though, the pizza path proved far too difficult. I was very bad at this job, as I would learn very quickly.
I’ve had many, many jobs. I’ve been a sunburned landscaper, a bored cashier, a sweaty salesman. I’ve worked overnights in call centers, cleaned up puke in ice rinks, stacked and unstacked and re-stacked vague pallets on loading docks. I’m not saying I was particularly good at any of these jobs; I was not. What I’m saying is, each of these jobs was taxing in its own way, but at the end of the day, I could handle them. Being a line cook, on the other hand, was an entirely different beast.
Pizzeria Beddia’s kitchen is a well-oiled machine. Communication was so good it was near telepathic. I once saw a fellow line cook walk into the kitchen for his shift, wash his hands, then start peeling corn without saying a word to anyone. He wasn’t even asked! I’d never seen anything like it! In retrospect, I see that this is an area where I fell short. I was not a good communicator. My biggest misstep on that front was that I didn’t tell anyone about my dog bite.
It happened the night before my first shift. Unprovoked, my mom’s rescue beagle absolutely munched my hand while we were watching The Heartbreak Kid. My hand swelled to the size of a hotel Bible and became as pink as tonsils. For some reason, I decided to not tell anyone at Beddia about this. I guess I was embarrassed. Or afraid that I’d be fired. So, there I was on my first day, struggling to get my massive throbbing-hot hand into rubber gloves, opening the oven door with just my pinky, spreading mozzarella as quickly as one can with only six working fingers total (which is very slowly!)—all without letting anyone know I was struggling or asking for help. Odd behavior!
But this misfire shined a light on an important truth in life, one that any successful line cook inherently knows: To thrive in a setting like Beddia’s kitchen—or in any successful collaboration—you need to communicate well. If you’re spending an entire shift in a panic over whether your fingers will have to be amputated Civil War-style, for example, it’s crucial to be transparent about it so your teammates can pick you up.
It’s easy to assume that working in a well-known restaurant like Beddia is always glamorous and exciting. You may even say to me, “You were a line cook at Beddia? That’s sick! I can’t believe you got to make pizzas for A-List celebrities like Jaleel White.” And sure, that is true. I did make a pizza for Jaleel White, the man known to millions as Steve Urkel. He was in Philly filming some movie that I haven’t heard about before or since. However, these kinds of brushes with the rich and famous are but a tiny fraction in the life of a line cook. The majority of it is grueling, unglamorous work.
Being a line cook means being on your feet for hours on end, getting blasted by the heat of the oven. It means working under intense pressure at a ridiculously fast pace, like NASCAR pit crews, but way harder. Those pit guys only have to work quickly for like five seconds, then the car drives off. After that they all get to sit down, I presume, and just kind of hang out with their pit crew buddies until the car comes back for new tires. Line cooks don’t have this luxury. The pizzas keep on coming. And there are no chairs in the kitchen. I believe there should be, but there aren’t. And these hardships are just the cooking part!
My three days as a line cook were also the most I ever cleaned in my life. The Beddia kitchen is always spotless when the day begins, and it’s the line cooks’ job to ensure it returns to impeccable at the end of the night. This kind of intense cleaning was not something I was used to. Sure, I’d had other jobs where I had to mop, but cards on the table: I always consciously did a bad job. When I worked at ShopRite in high school I figured no one actually cared if the cereal aisle floor was pristine, so I’d just soak the mop and flop the wetness around the tiles willy-nilly. I was basically doing an impression of a guy mopping.
That was not how things were done at Beddia. Every line cook, after eight-plus hours working their tails off, would scrub the kitchen on their hands and knees. No one ever patted the cooks on the back about this. It was just part of the job, and they took it seriously. I see now that it’s this kind of hard work that makes Pizzeria Beddia so successful, and is critical in making anything truly great.
By my third day I was running on fumes. My feet and knees were killing me from all the standing. My neck was destroyed from staring straight down at a 90-degree angle as pizza after pizza slid by me. My face was breaking out from the kitchen-heatgrease-sweat. I was having nightmares about peak hours. In the dreams, customers pounded on the glass looking into the kitchen, angrily flaunting their slices at me, screaming that I was adding way too many onions to the pizzas or way too few. I didn’t have The Onion Touch and my subconscious knew it.
So, I took stock. I looked around the kitchen and saw that I was the only cook who was having these issues. Everyone else was locked in. They didn’t complain about standing, or prepping, or cleaning. They took pride in their jobs, despite how difficult and thankless it could be.
By the end of day three, I saw that I wasn’t cut out for this gig. It was too hard. I realized it takes a specific kind of person to thrive working in a kitchen. My initial ideas about chefs and cooks were dead wrong. It takes more than dressing like you were once in a hardcore band. You need to work hard, be humble, and pick up your teammates whenever you can.
During my three days working at Beddia, I was not doing any of those things. But after spending time learning from the line cooks who did, I like to think I’ve grown, and will hopefully last longer than three days at my next job.
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